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Rewarding gigs, and maintaining composure 

I have been fortunate to be asked to play in so many weddings, anniversaries, memorial services, concerts, among others that sometimes I reflect on the many amazing experiences I have encountered, and I how I have learned to deal with emotions in important gigs. I will never forget an early wedding I played when I first started gigging. I was playing a piece of music and I could hear people in the front row crying at a wedding. One of the guests in attendance (who actually happened to be a father of the bride) later came up to me with tears in his eyes, thanking me, and telling me the music I was playing (The Beatles) was his Dad's favorite, and was played in his wedding. I realized early on at the power of music to invoke emotions in people of any age, and it's effect on my emotions in response to those in attendance. Sometimes when you are playing you can get caught up in the feeling of an event, and it's best to think of the chords, and notes that are coming and forget what is happening around you. Crying bridesmaids/brides/grooms etc. can throw a novice for a loop, but it's best to just play on and think of the music and the emotion you're trying to convey. I also find it rewarding after playing a piece of music at an intimate concert, and seeing the waterworks in someones eyes. I recently had a woman come up to me aftet and concert and tell me she loved my rendition of "At Last" by Etta James, as it was played at her wedding. Her husband had recently passed away, and she felt connected to him through the music. The connection humans have through music is so powerful and inspirational. Quite frankly, I've gotten to the point where everything I play is on auto-pilot, especially pieces I have played for years.

Another one of my fondest memories recently was playing a memorial service, where I was asked to play Joni Mitchell's "All Sides Now" after the daughter of the man who had passed away gave a moving speech on his life, and what the song meant to him. I played it while the room was clearly in tears, with open crying, and held back tears while hitting every note to make sure the man's life and memorial would be remembered even more vividly. I had to duck under my music stand when the piece was over and wipe tears off of my eyes, as the mood in the room was contagious, and I couldn't help but be drawn into the beautiful speech his daughter made, and the way he would be remembered. The gift of playing such memorable music for people has really given me meaning in life, as some can forget that there's more to a lot of gigs than just showing up and playing and getting the check. Not only do you have to be accurate, and play during adverse weather and other conditions (heat, cold, wind, insects, etc) you have to play with such emotion that people can feel it, and never forget the moment. This can't be faked, and can only come from the soul. 

Through many gigs played I have realized which pieces work in each situation, and am grateful for the repertoire I have built up over the years, which is a reflection of Minnesota/Wisconsin folks musical tastes. These things I cherish, and am so grateful to be asked to play at so many wonderful people's events. Thanks for reading, and hope to see you at a gig! Until than, I will keep bringing the music to the people!

 

New Years 2017 - Music for every gig 

I have been pushing myself to learn many new pieces as 2017 is now underway. My current repertoire list is extensive, and it becomes tougher to keep up the pieces I have learned in the past, while adding new ones to the mix. I find that people who hire me for weddings, corporate events, or other private events really like a wide variety of music. I find certain clients like a specific kind of music for an event (ie Spanish, classical, latin, jazz, or pop classics). While other clients appreciate the variety in my repertoire, and wish to hear the widest range possible. A reasonable goal I have made is to find a new piece of music from each respective music category and work on a new one once a week. When a person stops learning new pieces and advancing, it turns into a musical purgatory, where no new growth occurs. Sometimes it occurs from being too busy, with teaching, and performing, particularly in the summer. Which is why the brutally cold months of January through March are perfect to enhance the craft of guitar playing. Here's to a great 2017! Hope to meet new people at all the gigs I perform in, and see some familiar faces.

Guitar Reveries CD Release Concert 

I have spent a considerable amount of time working on my newest album "Guitar Reveries." It is always difficult picking pieces to put on the album with such a large selection of pieces to choose from. My previous album's mostly focused on classical pieces that fit a specific geographic area (Sounds Of Europe, Latin American Guitar Legends). I wanted to create an album that combined classical pieces with contemporary pieces from many different areas ie Spain, Brazil, France, America, etc. The result is an album that will please many a listener.
The pieces on Guitar Reveries are connected by a deep nostalgia, and filled with romantic charm. 
A piece that I enjoyed recording was Dilermando Reis's "Valsa da Despedida" (Farewell Waltz). This is a piece he recorded for Brazilian radio, possibly in the late 60's. His arrangement was taken from the Scottish folk song "Auld Lang Syne" and is most often heard at the turn of the New Year around the world. This may be the first transcription and recording of Dilermando's arrangement. I remember learning the piece on an afternoon I had open before a wedding, which I would play later that same day as the bridal party wanted romantic Latin and Spanish music. The original recording by Dilermando sounds very poor, with a few sections briefly cut out. I think it may be the most beautiful piece ever played on guitar. 
 The combination of classical guitar favorites like Asturias, Capricho Catalan, Lagrima, Andaluza, with contemporary favorites like Can't Help Falling In Love, La Vie en Rose, What A Wonderful World, to a modern day acoustic guitar arrangement of Baby, I Love Your Way, the album is truly diverse.

Many of the pieces I have included have become popular staples in my gigging repertoire, and it will be a real pleasure to play these pieces at my next concert at Studio Z  in St. Paul on Friday, November 4th. I hope to see you there to celebrate the release of this album!

Concert info - Get your tickets here!

Purchase Cd's/Mp3's through my website here!

Album also available on I-Tunes

Wedding music favorites 

I am currently in the depths of a very busy wedding season throughout the Twin Cities, and Minnesota, and it's always great to provide music on people's happiest day. I am often asked what are the most common pieces from my repertoire that people choose for their weddings. I would have to say these are the top twenty most requested pieces over the past few years from my repertoire and not including the obvious Canon in D! 

In no particular order: 

1) All Of Me by John Legend
2) Sounds of Bells by Joao Pernambuco
3) Jesu, Joy of Man's Desiring by J.S. Bach
4) At Last by Etta James
5) Wonderful Tonight  by Eric Clapton
6) A Thousand Years by Christina Perri
7) Raspberry Beret by Prince
8) Here, There and Everywhere by The Beatles
9) In My Life by the Beatles
10) Can't Help Falling in Love by Elvis Presley
11) Alma Apaixonada by Dilermando Reis
12) Somewhere Over the Rainbow 
13) Here Comes The Sun by the Beatles
14) I Choose You by Sara Bareilles
15) What a Wonderful World by Louis Armstrong
16) La Vie En Rose by Edith Piaf
17) Deve Ser Amor (It Must Be Love) by Baden Powell
18) Cavatina by Stanley Myers
19) Linus and Lucy (Peanuts Theme) by Vince Guaraldi
20) Stand by Me by Ben E. King

All of these are great pieces, and I think they sound spectacular on classical and acoustic guitar. I really enjoy playing these out at ceremonies and other gigs in town! 

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